A dramatic story of duplicity and resistance, betrayal and loyalty, set against the backdrop of World War II, by the #1 New York Times bestselling author of The Light in Hidden Places. Isa de Smit was raised in the vibrant, glittering world of her parents' small art gallery in Amsterdam, a hub of beauty, creativity, and expression, until the Nazi occupation wiped the color from her city's palette. The "degenerate" art of the Gallery de Smit is confiscated, the artists in hiding or deported, her best friend, Truus, fled to join the shadowy Dutch resistance. And masterpiece by masterpiece, the Nazis are buying and stealing her country's heritage, feeding the Third Reich's ravenous appetite for culture and art. So when the unpaid taxes threaten her beloved but empty gallery, Isa decides to make the Nazis pay. She sells them a fake--a Rembrandt copy drawn by her talented father--a sale that sets Isa perilously close to the second most hated class of people in Amsterdam: the collaborators. Isa sells her beautiful forgery to none other than Hitler himself, and on the way to the auction, discovers that Truus is part of a resistance ring to smuggle Jewish babies out of Amsterdam. But Truus cannot save more children without money. A lot of money. And Isa thinks she knows how to get it. One more forgery, a copy of an exquisite Vermeer, and the Nazis will pay for the rescue of the very children they are trying annihilate. To make the sale, though, Isa will need to learn the art of a master forger, before the children can be deported, and before she can be outed as a collaborator. And she finds an unlikely source to help her do it: the young Nazi soldier, a blackmailer and thief of Dutch art, who now says he wants to desert the German army. Yet, worth is not always seen from the surface, and a fake can be difficult to spot. Both in art, and in people. Based on the true stories of Han Van Meegeren, a master art forger who sold fakes to Hermann Goering, and Johann van Hulst, credited with saving 600 Jewish children from death in Amsterdam, Sharon Cameron weaves a gorgeously evocative thriller, simmering with twists, that looks for the forgotten color of beauty, even in an ugly world. "War, resistance, and art are Cameron's canvas; her palette is a balance of trust and perfidy, beauty and defiance, new life and old. Artifice is a vibrantly-hued and many-layered story, exploring our very human inability to spot a fake when we long to believe that the object of all our desire is the real thing." -- Elizabeth Wein, New York Times bestselling author of Code Name Verity * "Painterly prose...filled with rich intrigue depicts constantly shifting issues of trust in this complex, absorbing tale." -- Publishers Weekly, starred review

Sixteen-year-old Frankie Budge—aspiring writer, indifferent student, offbeat loner—is determined to make it through yet another sad summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who is as lonely and awkward as she is. As romantic and creative sparks begin to fly, Frankie and Zeke make an unsigned poster that becomes unforgettable to anyone who sees it. Copies of their work are everywhere in town, and rumours start to fly about who might be behind the ubiquitous posters: Satanists? Kidnappers? Soon, the mystery has dangerous repercussions that spread further afield, and the art that brought Frankie and Zeke together now threatens to tear them apart. Twenty years later, Frances Eleanor Budge—famous author, mother to a wonderful daughter, wife to a loving husband—gets a call that threatens to upend everything: a journalist asks if Frances might know something about the Coalfield Panic of 1996. Could Frances’ past destroy the life she has so carefully built? A bold coming-of-age story, written with Kevin Wilson’s trademark wit and blazing prose, Now Is Not the Time to Panic is a nuanced exploration of young love, identity and the power of art. It’s also about the secrets that haunt us—and, ultimately, what the truth will set free.

A college freshman is swept into shaky moral territory within the cut-throat world of visual arts in this razor-sharp novel. Winning a scholarship to California's most prestigious art school seems like a fairy tale ending to Sabine Reye's awful senior year. After losing both her mother and her home, Sabine longs for a place where she belongs. But the cutthroat world of visual arts is nothing like what Sabine had imagined. Colin Krell, the renowned faculty member whom she had hoped would mentor her, seems to take merciless delight in tearing down her best work—and warns her that she'll lose the merit-based award if she doesn't improve. Desperate and humiliated, Sabine doesn't know where to turn. Then she meets Adam, a grad student who understands better than anyone the pressures of art school. He even helps Sabine get insight on Krell by showing her the modern master's work in progress, a portrait that's sold for a million dollars sight unseen. Sabine is enthralled by the portrait; within those swirling, colorful layers of paint is the key to winning her inscrutable teacher's approval. Krell did advise her to improve her craft by copying a painting she connects with...but what would he think of Sabine secretly painting her own version of his masterpiece? And what should she do when she accidentally becomes party to a crime so well-plotted that no one knows about it but her? Complex and utterly original, What I Want You to See is a gripping tale of deception, attraction, and moral ambiguity.

From a debut author comes a gorgeous and emotionally resonant debut novel about a half-Japanese teen who grapples with social anxiety and her narcissist mother in the wake of a crushing rejection from art school. 5 1/2 x 8 5/16.

"From rowdy Barcelona barrooms to the incandescent streets of turn-of-the-century Paris, Pablo Picasso experiences the sumptuous highs and seedy lows of bohemian life alongside his rebellious poet friend with a shadowy past, Carles Casagemas. Fleeing family misfortune and their parents’ expectations, the two young artists seek their creative outlet while chasing inspiration in drugs, decadence, and the liberated women of Montmartre—creatures far different from the veiled ones back home."--from publisher's description.

Alessandra Cecchi is not quite fifteen when her father, a prosperous cloth merchant, brings a young painter back from northern Europe to decorate the chapel walls in the family’s Florentine palazzo. A child of the Renaissance, with a precocious mind and a talent for drawing, Alessandra is intoxicated by the painter’s abilities. But their burgeoning relationship is interrupted when Alessandra’s parents arrange her marriage to a wealthy, much older man. Meanwhile, Florence is changing, increasingly subject to the growing suppression imposed by the fundamentalist monk Savonarola, who is seizing religious and political control. Alessandra and her native city are caught between the Medici state, with its love of luxury, learning, and dazzling art, and the hellfire preaching and increasing violence of Savonarola’s reactionary followers. Played out against this turbulent backdrop, Alessandra’s married life is a misery, except for the surprising freedom it allows her to pursue her powerful attraction to the young painter and his art. The Birth of Venus is a tour de force, the first historical novel from one of Britain’s most innovative writers of literary suspense. It brings alive the history of Florence at its most dramatic period, telling a compulsively absorbing story of love, art, religion, and power through the passionate voice of Alessandra, a heroine with the same vibrancy of spirit as her beloved city.

1878 Paris. Following their father's sudden death, the van Goethem sisters find their lives upended. Without his wages, and with the small amount their laundress mother earns disappearing into the absinthe bottle, eviction from their lodgings seems imminent. With few options for work, Marie is dispatched to the Paris Opera, where for a scant seventeen francs a week, she will be trained to enter the famous ballet. Her older sister, Antoinette, finds work as an extra in a stage adaptation of Emile Zola's naturalist masterpiece L'Assommoir. Marie throws herself into dance and is soon modelling in the studio of Edgar Degas, where her image will forever be immortalized as Little Dancer Aged Fourteen. There she meets a wealthy male patron of the ballet, but might the assistance he offers come with strings attached? Meanwhile Antoinette, derailed by her love for the dangerous Emile Abadie, must choose between honest labour and the more profitable avenues open to a young woman of the Parisian demimonde. Set at a moment of profound artistic, cultural and societal change, The Painted Girls is a tale of two remarkable sisters rendered uniquely vulnerable to the darker impulses of 'civilized society'. In the end, each will come to realize that her salvation, if not survival, lies with the other. 'A dark valentine to Belle Epoque Paris' Vogue 'Buchanan does more than just write about what she knows; that same verisimilitude wends through the whole book: the grinding poverty in which the sisters live, the interaction between them, the daily life of a Parisian all come to life in her capable hands' Huffington Post 'Will hold you enthralled as it spools out the vivid story of young sisters in late 19th century Paris struggling to transcend their lives of poverty through the magic of dance. I guarantee, you will never look at Edgar Degas's immortal sculpture of the Little Dancer in quite the same way again' Kate Alcott, author of The Dressmaker 'Cathy Marie Buchanan paints the girls who spring from the page as vibrantly as a dancer's leap across a stage . . . The Painted Girls is a captivating story of fate, tarnished ambition and the ultimate triumph of sister-love' The Washington Post

The novel that established Virginia Woolf as a leading writer of the twentieth century, To the Lighthouse is made up of three powerfully charged visions into the life of one family living in a summer house off the rocky coast of Scotland. As time winds its way through their lives, the Ramseys face, alone and simultaneously, the greatest of human challenges and its greatest triumph-the human capacity for change. A moving portrait in miniature of family life, it also has profoundly universal implications, giving language to the silent space that separates people and the space that they transgress to reach each other.