Sixteen-year-old Frankie Budge—aspiring writer, indifferent student, offbeat loner—is determined to make it through yet another sad summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who is as lonely and awkward as she is. As romantic and creative sparks begin to fly, Frankie and Zeke make an unsigned poster that becomes unforgettable to anyone who sees it. Copies of their work are everywhere in town, and rumours start to fly about who might be behind the ubiquitous posters: Satanists? Kidnappers? Soon, the mystery has dangerous repercussions that spread further afield, and the art that brought Frankie and Zeke together now threatens to tear them apart. Twenty years later, Frances Eleanor Budge—famous author, mother to a wonderful daughter, wife to a loving husband—gets a call that threatens to upend everything: a journalist asks if Frances might know something about the Coalfield Panic of 1996. Could Frances’ past destroy the life she has so carefully built? A bold coming-of-age story, written with Kevin Wilson’s trademark wit and blazing prose, Now Is Not the Time to Panic is a nuanced exploration of young love, identity and the power of art. It’s also about the secrets that haunt us—and, ultimately, what the truth will set free.

A college freshman is swept into shaky moral territory within the cut-throat world of visual arts in this razor-sharp novel. Winning a scholarship to California's most prestigious art school seems like a fairy tale ending to Sabine Reye's awful senior year. After losing both her mother and her home, Sabine longs for a place where she belongs. But the cutthroat world of visual arts is nothing like what Sabine had imagined. Colin Krell, the renowned faculty member whom she had hoped would mentor her, seems to take merciless delight in tearing down her best work—and warns her that she'll lose the merit-based award if she doesn't improve. Desperate and humiliated, Sabine doesn't know where to turn. Then she meets Adam, a grad student who understands better than anyone the pressures of art school. He even helps Sabine get insight on Krell by showing her the modern master's work in progress, a portrait that's sold for a million dollars sight unseen. Sabine is enthralled by the portrait; within those swirling, colorful layers of paint is the key to winning her inscrutable teacher's approval. Krell did advise her to improve her craft by copying a painting she connects with...but what would he think of Sabine secretly painting her own version of his masterpiece? And what should she do when she accidentally becomes party to a crime so well-plotted that no one knows about it but her? Complex and utterly original, What I Want You to See is a gripping tale of deception, attraction, and moral ambiguity.

From a debut author comes a gorgeous and emotionally resonant debut novel about a half-Japanese teen who grapples with social anxiety and her narcissist mother in the wake of a crushing rejection from art school. 5 1/2 x 8 5/16.

Alessandra Cecchi is not quite fifteen when her father, a prosperous cloth merchant, brings a young painter back from northern Europe to decorate the chapel walls in the family’s Florentine palazzo. A child of the Renaissance, with a precocious mind and a talent for drawing, Alessandra is intoxicated by the painter’s abilities. But their burgeoning relationship is interrupted when Alessandra’s parents arrange her marriage to a wealthy, much older man. Meanwhile, Florence is changing, increasingly subject to the growing suppression imposed by the fundamentalist monk Savonarola, who is seizing religious and political control. Alessandra and her native city are caught between the Medici state, with its love of luxury, learning, and dazzling art, and the hellfire preaching and increasing violence of Savonarola’s reactionary followers. Played out against this turbulent backdrop, Alessandra’s married life is a misery, except for the surprising freedom it allows her to pursue her powerful attraction to the young painter and his art. The Birth of Venus is a tour de force, the first historical novel from one of Britain’s most innovative writers of literary suspense. It brings alive the history of Florence at its most dramatic period, telling a compulsively absorbing story of love, art, religion, and power through the passionate voice of Alessandra, a heroine with the same vibrancy of spirit as her beloved city.

1878 Paris. Following their father's sudden death, the van Goethem sisters find their lives upended. Without his wages, and with the small amount their laundress mother earns disappearing into the absinthe bottle, eviction from their lodgings seems imminent. With few options for work, Marie is dispatched to the Paris Opera, where for a scant seventeen francs a week, she will be trained to enter the famous ballet. Her older sister, Antoinette, finds work as an extra in a stage adaptation of Emile Zola's naturalist masterpiece L'Assommoir. Marie throws herself into dance and is soon modelling in the studio of Edgar Degas, where her image will forever be immortalized as Little Dancer Aged Fourteen. There she meets a wealthy male patron of the ballet, but might the assistance he offers come with strings attached? Meanwhile Antoinette, derailed by her love for the dangerous Emile Abadie, must choose between honest labour and the more profitable avenues open to a young woman of the Parisian demimonde. Set at a moment of profound artistic, cultural and societal change, The Painted Girls is a tale of two remarkable sisters rendered uniquely vulnerable to the darker impulses of 'civilized society'. In the end, each will come to realize that her salvation, if not survival, lies with the other. 'A dark valentine to Belle Epoque Paris' Vogue 'Buchanan does more than just write about what she knows; that same verisimilitude wends through the whole book: the grinding poverty in which the sisters live, the interaction between them, the daily life of a Parisian all come to life in her capable hands' Huffington Post 'Will hold you enthralled as it spools out the vivid story of young sisters in late 19th century Paris struggling to transcend their lives of poverty through the magic of dance. I guarantee, you will never look at Edgar Degas's immortal sculpture of the Little Dancer in quite the same way again' Kate Alcott, author of The Dressmaker 'Cathy Marie Buchanan paints the girls who spring from the page as vibrantly as a dancer's leap across a stage . . . The Painted Girls is a captivating story of fate, tarnished ambition and the ultimate triumph of sister-love' The Washington Post

The novel that established Virginia Woolf as a leading writer of the twentieth century, To the Lighthouse is made up of three powerfully charged visions into the life of one family living in a summer house off the rocky coast of Scotland. As time winds its way through their lives, the Ramseys face, alone and simultaneously, the greatest of human challenges and its greatest triumph-the human capacity for change. A moving portrait in miniature of family life, it also has profoundly universal implications, giving language to the silent space that separates people and the space that they transgress to reach each other.

Sheramy Bundrick’s Sunflowers is the beautiful tale of a young French prostitute’s passionate, doomed relationship with troubled artist Vincent van Gogh. July 1888, Arlens, France. Seeking refuge from the pressure of Paris society and new visual inspiration for his paintings, Vincent van Gogh meets the perfect subject in Rachel Courteau. Reborn with creative vitality, the painter produces works at a feverish pace, keeping the darkness threatening to consume him at bay. Rachel, burdened with the shame of being the village pariah, finds solace in van Gogh’s company as she brings joy into his life. Their growing friendship blossoms into love but she is unsure whether she—or their love—is strong enough to save his tortured soul. “Lays bare in rich, compelling scenes the mystery of the turbulent and misunderstood final two years in van Gogh’s life.” —New York Times bestselling author Susan Vreeland “Conjures a poignant but ill-fated romance. . . . Fans of Girl With a Pearl Earring, take note.” —USA Today “While infusing well-known historical moments (like van Gogh’s infamous self-mutilation) with vivid details, humanizing van Gogh and putting his famous works in context, Bundrick generates an impressive volume of suspense, delight and heartbreak.” —Publishers Weekly (Starred Review)