Dostoevsky’s greatest novel is a story of murder told with hair-raising intellectual clarity and a feeling for the human condition unsurpassed in world literature. Fyodor Dostoevsky’s final novel, published just before his death in 1881, chronicles the bitter love-hate struggle between a larger-than-life father and his three very different sons. The author's towering reputation as one of the handful of thinkers who forged the modern sensibility has sometimes obscured the purely novelistic virtues—brilliant characterizations, flair for suspense and melodrama, instinctive theatricality—that made his work so immensely popular in nineteenth-century Russia. This award-winning translation by Richard Pevear and Larissa Volokhonsky—the definitive version in English—magnificently captures the rich and subtle energies of Dostoevsky’s masterpiece." Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman’s Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

Dostoyevsky’s epic masterpiece, unabridged, with an afterword by Robin Feuer Miller One of the world’s greatest novels, Crime and Punishment is the story of a murder and its consequences—an unparalleled tale of suspense set in the midst of nineteenth-century Russia’s troubled transition to the modern age. In the slums of czarist St. Petersburg lives young Raskolnikov, a sensitive, intellectual student. The poverty he has always known drives him to believe that he is exempt from moral law. But when he puts this belief to the test, he suffers unbearably. Crime and punishment, the novel reminds us, grow from the same seed. “No other novelist,” wrote Irving Howe of Dostoyevsky, “has dramatized so powerfully the values and dangers, the uses and corruptions of systematized thought.” And Friedrich Nietzsche called him “the only psychologist I have anything to learn from.” With an Introduction by Leonard J. Stanton and James D. Hardy Jr. and an Afterword by Robin Feuer Miller

Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature. Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

The House of the Dead or Prison Life in Siberia by Feodor Dostoevsky with an introduction by Julius Bramont. The narrator, Aleksandr Petrovich Goryanchikov, has been sentenced to penalty deportation to Siberia and ten years of hard labour for murdering his wife. Life in prison is particularly hard for Aleksandr Petrovich, since he is a "gentleman" and suffers the malice of the other prisoners, nearly all of whom belong to the peasantry. Gradually Goryanchikov overcomes his revulsion at his situation and his fellow convicts, undergoing a spiritual re-awakening that culminates with his release from the camp. It is a work of great humanity; Dostoyevsky portrays the inmates of the prison with sympathy for their plight, and also expresses admiration for their energy, ingenuity and talent. He concludes that the existence of the prison, with its absurd practices and savage corporal punishments is a tragic fact, both for the prisoners and for Russia.

This eBook features the unabridged text of ‘The Insulted and Humiliated’ from the bestselling edition of ‘The Complete Works of Fyodor Dostoyevsky’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Dostoyevsky includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Insulted and Humiliated’ * Beautifully illustrated with images related to Dostoyevsky’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

Fyodor Dostoyevsky's The Idiot is an immaculate portrait of innocence tainted by the brutal reality of human greed. This Penguin Classics edition is translated from the Russian by David McDuff, with an introduction by William Mills Todd III. Returning to St Petersburg from a Swiss sanatorium, the gentle and naïve epileptic Prince Myshkin - the titular 'idiot' - pays a visit to his distant relative General Yepanchin and proceeds to charm the General, his wife, and his three daughters. But his life is thrown into turmoil when he chances on a photograph of the beautiful Nastasya Filippovna. Utterly infatuated with her, he soon finds himself caught up in a love triangle and drawn into a web of blackmail, betrayal, and finally, murder. Inspired by an image of Christ's suffering Dostoyevsky sought to portray in Prince Myshkin the purity of a 'truly beautiful soul' and explore the perils that innocence and goodness face in a corrupt world. David McDuff's new translation brilliantly captures the novel's idiosyncratic and dream-like language and the nervous, elliptic flow of the narrative. This edition also contains a new introduction by William Mills Todd III, which is a fascinating examination of the pressures on Dostoyevsky as he wrote the story of his Christ-like hero. Fyodor Mikhailovich Dostoyevsky (1821-1881) was born in Moscow. From 1849-54 he lived in a convict prison, and in later years his passion for gambling led him deeply into debt. His other works available in Penguin Classics include Crime & Punishment, The Idiot and Demons. If you enjoyed The Idiot, you might like Anton Chekhov's Ward No. 6 and Other Stories, also available in Penguin Classics. 'McDuff's language is rich and alive' The New York Times Book Review '[The Idiot's] ... narrative is so compelling' Rowan Williams, Archbishop of Canterbury

The story is put together in the form of a set of letters written between two people, Makar Devushkin and Varvara Dobroselova. Makar and Varvara are second cousins twice-removed and live across from each other on the same street in terrible apartments. Makar's, for example, is merely a portioned-off section of the kitchen, and he lives with several other tenants, such as the Gorshkovs, whose son dies and who groans in agonizing hunger almost the entire story, gently crying at night. Makar and Varvara exchange letters back and forth attesting to their terrible living conditions and the former frequently squanders his money on gifts for the latter.

Pyotr and Stavrogin are the leaders of a Russian revolutionary cell. Their aim is to overthrow the Tsar, destroy society and seize power for themselves. Together they train terrorists who are willing to go to any lengths to achieve their goals – even if the mission means suicide. But when it seems the group is about to be discovered, will their recruits be willing to kill one of their own circle in order to cover their tracks? Partly based on the real-life case of a student murdered by his fellow revolutionaries, Dostoyevsky’s sprawling novel is a powerful and prophetic, yet lively and often comic depiction of nineteenth-century Russia, and a savage indictment of the madness and self-destruction of those who use violence to serve their beliefs

The film script for a major film from Channel Four Films and Canal+ Image International, from director Karoly Makk and producer Marc Vlessing. Starring Michael Gambon, Jodhi May, Polly Walker, Dominic West and Luise Rainer. Dostoevsky, impoverished by gambling debts and desperate, makes a Faustian contract with his publisher: In return for an advance he agrees to deliver a novel within a year or lose all rights to his existing and future works. Twenty-seven days before the manuscript is due, he has still not begun work. Despairing, he hires a stenographer, Ann Snitkina, whose passionate determination urges him on to finish the book, saving his career. This true story of Dostoevsky's love affair with Anna Snitkina, the woman he later married is interwoven with scenes from his novella, The Gambler, as he dictates it.

Like many of Dostoyevsky's stories, "White Nights" is told in first person by a nameless narrator; the narrator is living in Saint Petersburg and suffers from loneliness. He gets to know and falls in love with a young woman, but the love remains unrequited as the woman misses her lover with whom she is finally reunited.