1873: When the ambitious Doctor Paul Clément takes a job on the island of Saint Sébastien, he has dreams of finding cures for tropical diseases. After witnessing the ritualistic murder of a young boy who was allegedly already dead, he is warned never to speak of what he has seen. Back in fin de siècle Paris, Paul’s attentions turn to studying the nervous system and resuscitation through electricity. Paul is told of patients who have apparently died, been brought back to life, and, while they lay between life and death, witnessed what they believed to be Heaven itself. Using forbidden knowledge he swore never to use, he at- tempts to experience what everyone else has seen, but something goes horribly wrong. When Paul returns to the land of the living, can it be possible that he brings something else back with him, an unspeakable evil so powerful it can never be banished?

"Explore a world where the supernatural is an accepted element of everyday life and the horror is mined from the realities of existing." — New York Public Library Best Books of the Year World Fantasy Award finalist British Fantasy Award finalist Ladies of Horror Fiction Award winner Crawford Award shortlist “Am I dead?” Mebuyen sighs. She was hoping the girl would not ask. Spells and stories, urban legends and immigrant tales: the magic in Isabel Yap’s debut collection jumps right off the page, from the friendship and fear building in “A Canticle for Lost Girls” to the joy in “A Spell for Foolish Hearts” to the terrifying tension of the urban legend “Have You Heard the One About Anamaria Marquez.”

A London man is enrolled by the King of Rats to assassinate the Pied Piper of Hamelin who dethroned him. The man is Saul, whose rat mother joined humanity, making him immune to the piper's call. In his rat persona Saul eats garbage and climbs walls.

The “propulsive and mesmerizing” (The New York Times) story collection by the International Booker–shortlisted author of The Dangers of Smoking in Bed and Our Share of Night—now with a new short story. The short stories of Mariana Enriquez are: “The most exciting discovery I’ve made in fiction for some time.”—Kazuo Ishiguro “Violent and cool, told in voices so lucid they feel spoken.”—The Boston Globe (Best Books of the Year) Electric, disturbing, and exhilarating, the stories of Things We Lost in the Fire explore multiple dimensions of life and death in contemporary Argentina. Each haunting tale simmers with the nation's troubled history, but among the abandoned houses, black magic, superstitions, lost loves and regrets, there is also friendship, compassion, and humor. Translated by the National Book Award-winning Megan McDowell, these “slim but phenomenal” (Vanity Fair) stories ask the biggest questions of life and show why Mariana Enriquez has become one of the most celebrated new voices in global literature.

In the faux-documentary style of The Blair Witch Project comes the campfire story of a missing girl, a vengeful ghost, and the girl who is determined to find her sister--at all costs. Once a year, a road appears in the forest. And at the end of it, the ghost of Lucy Gallows beckons. Lucy's game isn't for the faint of heart. If you win, you escape with your life. But if you lose.... Sara's sister disappeared one year ago--and only Sara knows where she is. Becca went to find the ghost of Lucy Gallows and is trapped on the road that leads to her. In the sleepy town of Briar Glen, Lucy's road is nothing more than local lore. But Sara knows it's real, and she's going to find it. When Sara and her skeptical friends meet in the forest to search for Becca, the mysterious road unfurls before them. All they have to do is walk down it. But the path to Lucy is not of this world, and it has its own rules. Every mistake summons new horrors. Vengeful spirits and broken, angry creatures are waiting for them to slip, and no one is guaranteed safe passage. The only certainty is this: the road has a toll and it will be paid. Sara knows that if she steps onto the road, she might not come back. But Becca needs her. And Lucy is waiting.

Ten years after her first encounter with Mr. Nightmare, Anna is home from college. Living at home again brings up painful memories of the past. To help deal with those difficult reminders, Anna turns to her friends-the remaining members of The Nightmare Club. While things aren't what they used to be, it is good to have friends around. But Anna and the others begin to see signs that make them realize the past is not just a memory. Mr. Nightmare is back and is ready to get revenge on the group that banished him from their world ten years prior. And this time he's not alone. Older now, Anna and her friends must take on Mr. Nightmare a second time. Unlike before, this clash takes place where Mr. Nightmare has even more power. This time, they must defeat Mr. Nightmare inside The Nightmare Realm.

DIVElusive online investigative journalist Scott King investigates the case of Arla Macleod, who bludgeoned her family to death, in another episode of the chilling, award-winning Six Stories series. 'Bold, clever and genuinely chilling with a terrific twist that provides an explosive final punch' Deidre O'Brien, Sunday Mirror 'A genuine genre-bending debut' Carla McKay, Daily Mail 'Impeccably crafted and gripping from start to finish' Doug Johnstone, The Big Issue ________________ A family massacre A deluded murderess Five witnesses Six stories Which one is true? One cold November night in 2014, in a small town in the north west of England, 21-year-old Arla Macleod bludgeoned her mother, father and younger sister to death with a hammer, in an unprovoked attack known as the Macleod Massacre. Now incarcerated at a medium-security mental-health institution, Arla will speak to no one but Scott King, an investigative journalist, whose Six Stories podcasts have become an internet sensation. King finds himself immersed in an increasingly complex case, interviewing five witnesses and Arla herself, as he questions whether Arla's responsibility for the massacre was a diminished as her legal team made out. As he unpicks the stories, he finds himself thrust into a world of deadly forbidden 'games', online trolls, and the mysterious black-eyed kids, whose presence seems to extend far beyond the delusions of a murderess... Dark, chilling and gripping, Hydra is both a classic murder mystery and an up-to-the-minute, startling thriller, that shines light in places you may never, ever want to see again. ________________ Praise for the Six Stories series Matt Wesolowski brilliantly depicts a desperate and disturbed corner of north-east England in which paranoia reigns and goodness is thwarted ... an exceptional storyteller' Andrew Michael Hurley 'Beautifully written, smart, compassionate – and scary as hell. Matt Wesolowski is one of the most exciting and original voices in crime fiction' Alex North 'Wonderfully horrifying ... the suspense crackles' James Oswald 'Original, inventive and dazzlingly clever' Fiona Cummins 'A complex and subtle mystery, unfolding like dark origami to reveal the black heart inside' Michael Marshall Smith 'Endlessly inventive and with literary thrills a-plenty, Matt Wesolowski is boldly carving his own uniquely dark niche in fiction' Benjamin Myers 'Disturbing, compelling and atmospheric, it will terrify and enthral you in equal measure' M W Craven 'Readers of Kathleen Barber's Are You Sleeping and fans of Ruth Ware will enjoy this slim but compelling novel' Booklist 'A relentless and original work of modern rural noir which beguiles and unnerves in equal measure. Matt Wesolowski is a major talent' Eva Dolan 'The very epitome of a must-read' Heat 'Haunting, horrifying, and heartrending. Fans of Arthur Machen, whose unsettling tale The White People provides an epigraph, will want to check this one out' Publishers Weekly 'For those who like the book they curl up with in their favourite slipper socks to generate a powerful sense of unease, and impel them to check all doors are locked and as many lights t