In 1935, while preparing to write a newspaper story about a theater production of Macbeth in her hometown of Cincinnati, twelve-year-old Kit discovers that a thief is stealing from the box office.

Will the kiss of death claim Romeo and Juliet—and Sully—before opening night? When Edwina "Sully" Sullivan, a retired cop turned theater manager, learns that a production of Romeo and Juliet—which Cliffside Theater's Dimitri Traietti left town to direct—is in serious trouble, she sets aside her grant applications and heads to Boston to help. Between managing Dimitri, consulting with costume and set designers, and schmoozing with potential funders, Sully puts on nearly every hat in the biz. But the one hat she doesn't expect to wear is that of her old job as a cop. When a socialite is murdered in Boston's Public Garden, Sully's ex-husband becomes the prime suspect. So she reprises her role as an ace investigator and once again steps into the spotlight to solve a crime.

It'd be the season to be jolly if only someone hadn't set the stage for murder. The Dickens script did not include the dead body on the stage. When a student at Cold Creek College is arrested for the crime, Professor Sheridan Hendley is cast in the role of amateur sleuth. Only the student is Marty's nephew and the detective on the case is Brett. Tensions run high, friendships are strained, and the college administration is beginning to panic. With visits to the community theater and interactions with quirky and defensive students and faculty in Fine arts, it's clear the dead director will not be missed. As the plot thickens Sheridan is yet again drawn deeper into danger. Will she find the truth before the final curtain call? Read this holiday-themed mystery and find out.

Calamity befalls the little Vendome Theater in the tenth installment of the sun- and wine-soaked Provençal Mystery Series. Provençal Mystery Series #10 Watch the series! Murder in Provence is now on Britbox. When Jean-Marc Sauvet, successful lawyer and the best friend of Aix-en-Provence’s examining magistrate Antoine Verlaque, accepted a small role in a local theater’s summer production of Marcel Pagnol’s Cigalon, he had no idea that the lead actress would be played by the great Liliane Poncet. But Jean-Marc’s excitement about rubbing elbows with one of France’s legendary film stars is quickly extinguished. The lead actor, Gauthier Lesage, is rude and unenthusiastic, and nobody understands how he got the part. Chaos reigns backstage thanks to the absentminded theater director. And everyone seems to be harboring a secret. When one of the actors goes missing for good, it’s up to the soon-to-be-a-father Verlaque and his police commissioner, Bruno Paulik, to untangle the threads of a mystery that seems to get more complicated every day…

The Phantom of the Opera is perhaps best known for its many stage and screen adaptations, but Gaston Leroux's original text surpasses them all for its Gothic tension and haunting horror. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure. This edition features an afterword by dramatist Peter Harness. Strange things are going on at the Paris Opera House; a mysterious phantom - a skeleton in dinner dress - is wreaking havoc amongst the singers and backstage staff. But when new managers take over and dismiss the rumours of the Opera Ghost, the terror really begins. Who is the curious figure stalking the stage at night? How can he be in so many places at once, entering and leaving locked rooms at will? And what is his connection to the beautiful and talented young soloist, Christine?

DIVDIVIn the first book of the Jocelyn O’Roarke series, when a Broadway show’s lead actress is murdered, her understudy must race to find the killer before it’s too late /divDIV Struggling actress Jocelyn “Josh” O’Roarke just got a real offer. Well, something resembling a real offer. Her old friend Austin Frost has written a play for Broadway and cast the glamorous Harriet Weldon as the lead. Not wishing to leave his old friend Josh behind, he has invited her to be Harriet’s understudy. The role of understudy is a difficult one—and it becomes even more so when Harriet turns up dead and the police name Josh their prime suspect./divDIV /divDIVWith the NYPD breathing down her neck, Josh must find the people responsible while ensuring that the show will go on./divDIV /divMurder on Cue is the first book of the Jocelyn O’Roarke mystery series, which also includes First Hit of the Season and Death Mask. /div

A P.I.’s bookkeeper takes a side gig in sleuthing when an amateur production of The Mousetrap features a real-life murder in this cozy mystery novel. Sophie “Phee” Kimball is trying to get work done at her private investigation company, but it’s hard to focus when her old crush just moved to Arizona to join the staff. The last thing she needs is more distraction—like constant updates from her mom on the local production of Agatha Christie’s “The Mousetrap.” Practically everyone from Mom’s book club and retirement community, with the possible exception of her chiweenie dog, wants to join the cast and crew. But someone’s playing the role of a killer for real. After a much-despised cast member is found dead in the theater, Phee has no choice but to immerse herself in all the backstabbing, backstage gossip. Especially if her drama-queen mother is right about the threatening note left on her windshield—which could spell curtains for another victim

The tide has turned for Dodie O’Dell since a hurricane upended her life on the Jersey Shore. Now she’s further up the coast in sleepy Etonville, managing a restaurant that dishes dinners themed around the community theater’s latest productions. But Dodie just never imagined she’d land the starring role in a case of bloody homicide . . . Intrigued by rumors of vanishing box office money, Dodie has agreed to help oversee the casting of Romeo and Juliet at the modest Etonville Little Theater. If nothing else, it’s a welcome escape from the thirty-something’s usual going-to-bed-with-a-mystery-novel routine. But when Jerome Angleton, a well-respected member of the theater company, is inexplicably found murdered on the loading dock, deadly drama transcends the stage—and the page. As a crime wave crashes over the small town, the spotlight is on Dodie to orchestrate her own investigation behind the scenes . . . before someone has a chance at a killer encore.

“The theatre plays backdrop to romance and murder . . . Good reading.” —Kirkus Reviews (starred review) Newly arrived from New Zealand and in need of funds, Martyn Tarne takes a job as a dresser to the Vulcan Theater’s leading lady. Along with a paycheck, this also provides her with a ringside seat to the backstage circus—and the eventual murder that occurs on opening night. Inspector Alleyn is soon called to solve the case and put a stop to all the drama . . . “To my thinking, no other writer evokes ‘the incense of the playhouse’ or describes the technical details of stage production with the degree of authenticity that Dame Ngaio achieved in novels like Enter a Murderer, Killer Dolphin, Night at the Vulcan and Light Thickens.” —Marilyn Stasio, The New York Times “The brilliant Ngaio Marsh ranks with Agatha Christie and Dorothy Sayers.” —Times Literary Supplement Also published under the title Opening Night

A conductor succumbs to cyanide at the famed Venice opera house, in the first mystery in the New York Times–bestselling, award-winning series. During intermission at the famed La Fenice opera house in Venice, Italy, a notoriously difficult and widely disliked German conductor is poisoned—and suspects abound. Guido Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he calls on his knowledge of Venice, its culture, and its dirty politics. Along the way, he finds the crime may have roots going back decades—and that revenge, corruption, and even Italian cuisine may play a role. “One of the most exquisite and subtle detective series ever.” —The Washington Post “A brilliant writer . . . an immensely likable police detective who takes every murder to heart.” —The New York Times Book Review