NATIONAL BESTSELLER Certain lives are at once so exceptional, and yet so in step with their historical moments, that they illuminate cultural forces far beyond the scope of a single person. Such is the case with Coco Chanel, whose life offers one of the most fascinating tales of the twentieth century—throwing into dramatic relief an era of war, fashion, ardent nationalism, and earth-shaking change—here brilliantly treated, for the first time, with wide-ranging and incisive historical scrutiny. Coco Chanel transformed forever the way women dressed. Her influence remains so pervasive that to this day we can see her afterimage a dozen times while just walking down a single street: in all the little black dresses, flat shoes, costume jewelry, cardigan sweaters, and tortoiseshell eyeglasses on women of every age and background. A bottle of Chanel No. 5 perfume is sold every three seconds. Arguably, no other individual has had a deeper impact on the visual aesthetic of the world. But how did a poor orphan become a global icon of both luxury and everyday style? How did she develop such vast, undying influence? And what does our ongoing love of all things Chanel tell us about ourselves? These are the mysteries that Rhonda K. Garelick unravels in Mademoiselle. Raised in rural poverty and orphaned early, the young Chanel supported herself as best she could. Then, as an uneducated nineteen-year-old café singer, she attracted the attention of a wealthy and powerful admirer and parlayed his support into her own hat design business. For the rest of Chanel’s life, the professional, personal, and political were interwoven; her lovers included diplomat Boy Capel; composer Igor Stravinsky; Romanov heir Grand Duke Dmitri; Hugh Grosvenor, the Duke of Westminster; poet Pierre Reverdy; a Nazi officer; and several women as well. For all that, she was profoundly alone, her romantic life relentlessly plagued by abandonment and tragedy. Chanel’s ambitions and accomplishments were unparalleled. Her hat shop evolved into a clothing empire. She became a noted theatrical and film costume designer, collaborating with the likes of Pablo Picasso, Jean Cocteau, and Luchino Visconti. The genius of Coco Chanel, Garelick shows, lay in the way she absorbed the zeitgeist, reflecting it back to the world in her designs and in what Garelick calls “wearable personality”—the irresistible and contagious style infused with both world history and Chanel’s nearly unbelievable life saga. By age forty, Chanel had become a multimillionaire and a household name, and her Chanel Corporation is still the highest-earning privately owned luxury goods manufacturer in the world. In Mademoiselle, Garelick delivers the most probing, well-researched, and insightful biography to date on this seemingly familiar but endlessly surprising figure—a work that is truly both a heady intellectual study and a literary page-turner. Praise for Mademoiselle “A detailed, wry and nuanced portrait of a complicated woman that leaves the reader in a state of utterly satisfying confusion—blissfully mesmerized and confounded by the reality of the human spirit.”—The Washington Post “Writing an exhaustive biography of Chanel is a challenge comparable to racing a four-horse chariot. . . . This makes the assured confidence with which Garelick tells her story all the more remarkable.”—The New York Review of Books “Broadly focused and beautifully written.”—The Wall Street Journal

One of the most anticipated reads from InStyle, HelloGiggles, Hypable, Bookbub, and Bookriot! One of Real Simple's Best Historical Fiction novels of the year! “The Gown is marvelous and moving, a vivid portrait of female self-reliance in a world racked by the cost of war.”--Kate Quinn, New York Times bestselling author of The Alice Network From the internationally bestselling author of Somewhere in France comes an enthralling historical novel about one of the most famous wedding dresses of the twentieth century—Queen Elizabeth’s wedding gown—and the fascinating women who made it. “Millions will welcome this joyous event as a flash of color on the long road we have to travel.” —Sir Winston Churchill on the news of Princess Elizabeth’s forthcoming wedding London, 1947: Besieged by the harshest winter in living memory, burdened by onerous shortages and rationing, the people of postwar Britain are enduring lives of quiet desperation despite their nation’s recent victory. Among them are Ann Hughes and Miriam Dassin, embroiderers at the famed Mayfair fashion house of Norman Hartnell. Together they forge an unlikely friendship, but their nascent hopes for a brighter future are tested when they are chosen for a once-in-a-lifetime honor: taking part in the creation of Princess Elizabeth’s wedding gown. Toronto, 2016: More than half a century later, Heather Mackenzie seeks to unravel the mystery of a set of embroidered flowers, a legacy from her late grandmother. How did her beloved Nan, a woman who never spoke of her old life in Britain, come to possess the priceless embroideries that so closely resemble the motifs on the stunning gown worn by Queen Elizabeth II at her wedding almost seventy years before? And what was her Nan’s connection to the celebrated textile artist and holocaust survivor Miriam Dassin? With The Gown, Jennifer Robson takes us inside the workrooms where one of the most famous wedding gowns in history was created. Balancing behind-the-scenes details with a sweeping portrait of a society left reeling by the calamitous costs of victory, she introduces readers to three unforgettable heroines, their points of view alternating and intersecting throughout its pages, whose lives are woven together by the pain of survival, the bonds of friendship, and the redemptive power of love.

Analyzes the ends of two preeminent fashion designers to demonstrate how they were casualties of the war between art and commerce, chronicling their rise and achievements while sharing insights into how art has suffered at the hands of economic demands.

The New York Times bestseller “[An] obscenely enjoyable romp.” —The New York Times Book Review The untold story of a New York City legend's education in creativity and style For Bill Cunningham, New York City was the land of freedom, glamour, and, above all, style. Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Bill dreamed of a life dedicated to fashion. But his desires were a source of shame for his family, and after dropping out of Harvard, he had to fight them tooth-and-nail to pursue his love. When he arrived in New York, he reveled in people-watching. He spent his nights at opera openings and gate-crashing extravagant balls, where he would take note of the styles, new and old, watching how the gowns moved, how the jewels hung, how the hair laid on each head. This was his education, and the birth of the democratic and exuberant taste that he came to be famous for as a photographer for The New York Times. After two style mavens took Bill under their wing, his creativity thrived and he made a name for himself as a designer. Taking on the alias William J.--because designing under his family's name would have been a disgrace to his parents--Bill became one of the era's most outlandish and celebrated hat designers, catering to movie stars, heiresses, and artists alike. Bill's mission was to bring happiness to the world by making women an inspiration to themselves and everyone who saw them. These were halcyon days when fashion was all he ate and drank. When he was broke and hungry he'd stroll past the store windows on Fifth Avenue and feed himself on beautiful things. Fashion Climbing is the story of a young man striving to be the person he was born to be: a true original. But although he was one of the city's most recognized and treasured figures, Bill was also one of its most guarded. Written with his infectious joy and one-of-a-kind voice, this memoir was polished, neatly typewritten, and safely stored away in his lifetime. He held off on sharing it--and himself--until his passing. Between these covers, is an education in style, an effervescent tale of a bohemian world as it once was, and a final gift to the readers of one of New York's great characters.

The New York Times bestselling style guide from the cohost of What Not to Wear It’s clear why Women’s Wear Daily hails Stacy London as “the Dr. Phil of fashion.” Since 2002, she’s transformed hundreds of guests on TLC’s hit show What Not to Wear. But London has more than just impeccable taste. She has a gift for seeing the core emotional issues behind a disastrous wardrobe. By sharing her own struggle with self-esteem, London illustrates how style develops con­fidence. Including invaluable fashion tips, advice, and a revelatory makeover section, ­The Truth About Style is for London’s legion of fans—and everyone who longs to enhance and celebrate the body she has.

"Humorous essays about the fashion industry"--

An Ava & Frank Bernstein Mystery.

When fashion columnist Lacey Smithsonian learns that a new fashion museum will soon grace decidedly unfashionable D.C., it's more than a good story-it's a chance to show off her vintage Hugh Bentley suit. And it's not long before the dapper designer himself spots Lacey in the crowd. A reporter at heart, she manages to get all the juicy details about his past-including a long-unsolved mystery about a missing employee. Could it be linked to the disappearance of a Washington intern or the recent Bentley boutique robbery? Lacey sets out to unravel the murderous details in a fabric of lies, greed-and (gasp!) very bad taste...

Enjoy this humorous cozy mystery with an amateur sleuth and rom-com elements by national bestselling author Diane Vallere. She needs a paycheck. A murder creates the perfect job. Can she avoid becoming the next victim? Samantha Kidd recently added an unexpected skill to her fashion-heavy resume: solving a crime. But amateur sleuthing doesn’t pay the bills. A new retailer shows interest in hiring her as their handbag buyer, but there’s one big red flag: the last buyer was killed on the job. Moving back to her old hometown was about leaving that career path behind, but Samantha’s out of options. When another person at the store is murdered, the walls close in like a snug, satin lining. Can Samantha get a handle on an inside job without getting caught in the killer’s clutches? Buy Buyer, Beware for laugh-out-loud entertainment today! Buyer, Beware is the second humorous book in the Killer Fashion mystery series, although each book in the series can be read as a standalone. For readers of, Deany Ray, Cindy Sample, and Larissa Reinhart, this funny book features a determined amateur sleuth and a mystery that will keep you guessing. If you like witty protagonists, clever dialogue, and fair-play whodunits, you’ll love Diane Vallere’s humorous mystery. Diane-Fans describe “her vintage Vallere goodness,” and say she is a “great storyteller” with “a way with creating strong female characters and intrigue” who is “a superb and very humorous writer.” Her gift of creating “spunky sleuths in fun settings” take readers to Dallas, Palm Springs, Los Angeles, Pennsylvania, and outer space.

Enjoy this crafty, cozy small-town series starter by national bestselling author Diane Vallere… Unraveling family secrets can be murder... When Polyester Monroe was young, she loved playing in her family's textile store. But after a fatal tragedy, Land of A Thousand Fabrics was boarded up and Poly never expected to see the inside again. These days her time is spent designing prom dresses from cheap fabrics and covering the flaws with a glue gun. When her great uncle passes away and leaves her the fabric store, she sees it as a sign to change her life. But when a man connected to her family’s tragedy is found dead in the parking lot behind the store the day after she moves in, her illusions of reopening the glamorous fabric store are shredded. Poly pulls at threads to unravel the truth, but can she keep herself out of the fray? Suede to Rest is the first charming cozy mystery in this series, although all books in the Material Witness series can be read as a standalone. For readers of Jenn McKinlay, Tonya Kappes, London Lovett, and Marty Wingate, this is a fair-play cozy mystery whodunit with strong family ties, a sweet romance, and a fun cast of recurring characters. If you like small-town settings, killer textiles, and crafty killers, then you'll love Diane Vallere's delightful, fabric-themed series. “There’s a new material girl in town…[A] resourceful and gutsy sleuth.”—Krista Davis, New York Times bestselling author of the Domestic Diva Mysteries “Vallere weaves a tapestry of finely knit characters, luxurious fabrics, and…murder.”—Janet Bolin, national bestselling author of the Threadville Mysteries